Chapter 30
They
found the downstairs front door wide open -- the lock shattered, pieces of it
on the floor leading to the stairs, while a good portion dangled like a mobile
near the handle, rattling when Maxwell brushed against the door on his way in.
The upstairs door was open, too, the dead bolt pulled back, unharmed. Maxwell
called for Patty, but got no reply.
"She
must have run out," Jack said, easing through the door behind Maxwell,
eyeing the dim interior with great suspicion. He clearly expected something to
leap out of the deep shadows.
"Why
would she leave?" Maxwell asked, picking up one of the whicker chairs that
had been turned over in the earlier trashing. "She had no place else to
go."
"Maybe
someone scared her into leaving," Jack suggested. "I got scared out
before you came back with her."
"Who
scared you? The police?"
"Eventually.
But first I had a visit from Linda's brothers," Jack said.
"And
they didn't kill you?"
"They
wanted to. They came up the back way otherwise I would have gotten away before
they got here. The only warning I got is when they killed the dog. It woke me
up, but they were in here on me before I could make sense of things, beating at
my face, demanding to know where Linda was."
"Did
you tell them?"
"I
didn't know where she went."
"You
didn't know she had taken up with Toad?"
"This
is news to me," Jack said. "All she told me was that she was going to
get rid of the baby. I tried to stop her, but she'd made up her mind."
"So
what did her brothers do when you told them that?"
"They
wanted to kill me anyway. I think might have done it, too, except the police
came, pounding on the door downstairs. They panicked, fled back the way they
came, promising to kill me later."
"So
what about the police?"
"They
kept pounding on the door downstairs. I looked out the window and saw it was
Wilson, and knew this wasn't no legitimate raid. So when it seemed like they
were getting ready to kick the door in, I fled out the back. The brothers were
a ahead of me, but they got confused and ran out to the front of the building.
I don't know exactly what happened then, but Wilson got it into his head to haul
them in. I think maybe he thought they were some gang trying to take over from
the Boss."
"Wilson
was still downstairs when I got here," Maxwell said. "So whoever
trashed this place did it between the time you left and the time we got here,
and while the police were waiting outside."
"Maybe
those same people came back after you left and scared your dancer friend
out?" Jack suggested.
"Are
you saying Puck came up here after her?"
"Not
him, but one of his boys," Jack said. "My guess is Hutch. If he's
bolted from the Boss, he would love to lay his hands on her."
"Are
you saying he'd trade her back to Puck for a piece of Paterson?"
"It
sounds like a good plan," Jack said. "The question is what do we do
about it?"
"We?"
Maxwell said. "You're not getting involved in this fight. I don't want you
in the middle of this if I have to take Hutch apart."
"I
can't just sit here," Jack argued. "I'd go nuts."
"And
if you come with me, you're likely to get killed."
"And
if you get killed first, I won't have much hope anyway," Jack said, his
mouth set firmly as if to say he'd made up his mind and wouldn't be talked out
of it.
"All
right," Maxwell mumbled, his head tilted as if working out the details of
a plan. "If you need something to do, then go find Toad, wrestle Suzanne
and your girlfriends from him. Bring them both back here. The dead bolts are
still in place, even on the roof top door -- though God knows if someone wants
to get in they can drop through the skylight. We'll have to chance that."
"Then
what?"
"Sit
tight and wait for me," Maxwell said. "Once I get ahold of Patty,
I'll bring her back here as well."
"What
a collection we'll make for Hutch or Puck or Linda's brothers to find,"
Jack snipped.
"We'll
figure out what to do when I get back," Maxwell assured him. "We've
got a car. We've got money. If we have to, we'll leave town."
"And
go where?"
Maxwell
glanced over at one of the guitars. Like the one Hutch had broken on the
street, it was now in pieces.
"We
can always move to Nashville," he said.
***********
Daylight
streaked across the sidewall leaving a pattern of bars as Maxwell hurried along
lower Main Street towards the river -- a wooded picket fence shielded the weed
infested lot from the street, the boards so weathered and cracked, Maxwell
could peer right through the gap -- although the weeds showed no sign of life.
Neither did the stores that followed, each window covered with paper upon which
"out of business" was written. He caught sight of his own reflection,
his lower face sprouting weeds of its own, his nose wound exposed slightly
under the torn bandage. But it was his overall disheveled appearance that
startled him most: his ragged clothing and unkept hair making him look as
disreputable as the Toad.
He
couldn't remember the last time he had washed or slept or combed his hair. His
clothing stank from the dumpster they had hidden in and of his own sweat drawn
from that panicked flight. He sweated down, even in the cool air, his quick
step pumping his heart nearly as fast as his jogging did.
He
could not contain his rage, though he could hear Charlie's calming voice
telling him to center himself.
"Angry
people make mistakes," Charlie once told him.
Yet
each time he closed his eyes, other ghosts emerged, drawing up that rage again:
Puck, Hutch, the old mayor, Toad, Wilson, even Red Bone, as if he now had a
score to settle with each of them and would not find peace until he had.
"God
help Hutch if he hurts Patty," he thought, knowing just how capable the
son of a bitch was of doing just that, knowing that Hutch would take great
pleasure in returning spoiled goods to either of them.
"Of
all people, Hutch would know how deeply that would hurt both me and Puck,"
Maxwell thought, then pondered that thought, stunned by the fact that both boys
had grown up to love the same woman.
Love?
Maxwell had told Creeley differently. But that was a lie. Only love could
manufacture the kind of rage roaring inside Maxwell now, a rage that would not
be satisfied by anything less than flowing blood.
Maxwell
had already pushed his talents into dark uses. He had found one of Hutch's
stooges watching the door to the loft, grabbed him, shoved him against a
window, and demanded to know where Hutch was. The whimpering thug was no match
for Maxwell's rage. Street life didn't always breed tough people, and the
squirming creature soon gave up Hutch's hide out in exchange for his life.
Maxwell hurried down to the riverside to seek out the shack the thug had given.
There,
on the southern side of the river -- perhaps even on the very location of the
original Passaic Hotel -- the shack stood, looking more like a collection of
drift wood than a habitable structure, its gray planks so weathered they could
have come from the hotel as well. No sign showed of any attempt to paint or
repair the place, and -- except for a small square, hand-painted sign near the
door -- nothing suggested habitation. Some steam clouded the quarter pain
windows and a puff of occasional smoke rose from a rusting pipe in its roof.
Heavy
metal chords droned through the thin wood accompanied by a gaggle of laughter,
the smell of marijuana drifting out the cracks like escaping gas. An scarlet
point of light appeared on the darker side of the building, then faded out,
telling Maxwell that someone was standing there, sucking on a cigarette. It
reappeared a moment later, farther up the weed-cluttered river bank, faded
again, appearing farther away still -- Maxwell able then to make out the shape
of a man against the soft glow of the housing projects on the far side of the
river. He was holding a rifle.
Maxwell
slipped over the edge, down a sharp incline of embankment to the edge of the
water itself, easing towards the building from an unexpected direction. Dawn
glowed faintly on the horizon, leaving Maxwell little time to make his move or
find himself discovered in open daylight. From this vantage point, however, he
saw other glowing points of light, like fireflies flicking on, then fading out.
Did
they all have guns, he wondered? Was
this some kind of trap?
No, he
finally decided. This was more a fortress than an ambush. Hutch had apparently
sent his message and now waited on the reply, making his demand that Puck turn
over the city to him in exchange for Patty.
They
knew Puck's first reply would come as violence -- a police raid, perhaps. Puck
still had enough cops on his side to stage such a raid.
Or
would he try something more covert?
Maxwell
took a deep breath, then climbed embankment behind the building, then eased
around it, his back to the wall, until he reached the door.
A small
sign hung on the door itself, crooked hand-written letters spelling out:
"Hutch's joint."
Maxwell
tapped sharply.
A gun barrel
appeared around the corner of the building, a pimple-scarred Halloween mask of
a face easing out from behind it.
"You
hold it right there, mother fucker," the red-haired kid said, his voice
wavering slightly from fear.
"I'm
here to see Hutch," Maxwell said, just as the door popped out exposing
another gun barrel -- and something like a black milk carton attached to it.
"Did
he send for you?" said a harsher, huskier voice from behind the machine
pistol.
"No,"
Maxwell admitted. "But he knows me."
"So?"
"So
he'll want to talk to me."
"What
about?"
"It's
about the girl. The dancer he dragged from the apartment on Main Street."
The
red-haired kid came closer, his close set eyes studying Maxwell for a moment.
"You're
him?" the boy asked. "The one that broke Hutch's arm?"
"Just
tell Hutch I'm here," Maxwell said.
The
red-haired kid nodded at the man inside the door. The door closed, and a moment
later, the music and laughter ceased inside. The door popped open with a jerk.
"He
wants to see you," said the man -- a large Latino, older than the others,
mostly bald except around the ears -- motioning the milk carton gun to indicate
Maxwell should go inside.
Maxwell
squeezed through the partially open door, down a narrow, short passageway --
plaster board walls ineptly repaired with several sections sunken in -- then
through another door into what Jack would have called "an old man's
bar."
It
stank from years of booze and cigarettes, although it was the more recent scent
of burning marijuana that most assaulted Maxwell when he stepped through the
door.
A
square bar stood at the exact center of the room, illuminated by soft amber
lamps hidden in the bar's recessed. A handful of lamps hanging from the ceiling
helped dispel the depressing dimness natural to the interior.
"Well,
well, well," Hutch boomed from the far side of the room, seated at a large
round poker table in the far corner, a jukebox spinning a Marshall Tucker tune
from the 1970s. The top of the table was littered with beer bottles and the
glasses thick with the melting ice of mixed drinks. "So what brings Mr.
Maxwell Zarra down into our little world, eh?"
Two
women stood to either side of Hutch, dripping jewelry and perfume, their faces
so heavily painted Maxwell struggled to tell the race or nationality of either,
although one looked familiar to Maxwell. He studied her face for a moment,
taking note of the African features the makeup could not disguise, and to his
horror realized it was Jack's girlfriend.
"Linda?"
he said.
She
stirred at the sound of her own name, keeping her gaze down so as not to meet
Maxwell's.
"So
you recognized my newest pet," Hutch said gleefully as he patted her ass.
"Your
pet? The last I heard she was hooked up with Toad."
"Toad
doesn't know what to do with quality merchandise."
"You
do?"
"Of
course," Hutch said, grinning, the dim light emphasizing the gap in his
front tooth. "That's why she's here."
"Which
leads to the question of how you got her?"
"I
didn't steal her, if that's what you thin, though God knows I could have. The
way the Boss did."
"Puck
stole her? Why?"
"to
trade with me, and pay off Wilson. I got this bitch and a piece of the action.
Wilson got his bitch. The Toad got to go for a swim in the river. By this time
tomorrow, the Garfield cops will be fishing his body out down by the Service
Diner."
Maxwell's
head swam with the visions of a dying Toad, a beaten Linday and a Suzanne
chained to Wilson's zipper."
"What
did you have to give Puck in exchange?" Maxwell asked.
"You
know," Hutch said, his grin expanding a little. "She's what brought
you here. I know you came to free her, planning to make a hero out of yourself
by beating the hell out me. But you'll have to take that up with the Boss -- if
he's still Boss by the time you get to him."
"You
mean you'll let me leave here without a fight?" Maxwell said.
"I
have to," Hutch said. "It's part of the deal."
"I'm
part of the deal? How's that?"
"If
I hurt you, Puck comes after me."
"That's
crazy. Why?"
"Go
ask the madman on the hill, he's got that answer. But don't push your luck with
me too far. I'll blow your head off if you step on my toes. I may not be the
King of Paterson, but it won't be long before I am. Even if the Boss survives
the mayor's he's grown weak. All I have to do is bide my time, and I'll get
what I want. But I'll be damned before I let a slug like you get in my way.
Maxwell
nodded and turned, glancing briefly at Linda, who no longer looked like a
13-year-old, but like many of the aging barflies he had seen over at Rosey's,
hints of Suzanne's fate in her future. He sighed, and hurried out. He now knew
what he had to do and who he had to see.
***********
Maxwell
didn't find the house right away, a small, white building with a crumbling
front porch tucked up in the Totowa section of Paterson. It was located above
the Great Falls and along the north west bank of the river. This was the transitional
section that divided the barren downtown from the more middle class Hillcrest
section. The street number had peeled away with the pain and Maxwell passed it
twice, backtracked before finally realizing which place it was.
The
whole time a black man sat on the porch rocking slowly in a love seat -- his
face as lined finely grained wood, although he bore an annoyed expression when
Maxwell mounted the porch towards him.
"What
do you want?" the man growled in a creaky voice.
"I'm
looking for the Johnson family."
"You
found them," the old man said. "At lease, you've found me and I'm a
Johnson."
Maxwell
glanced out at the littered front yard, at the rusted lawnmower surrounded by
two-foot high weeds. He caught glimpse of a pink, tri-wheeled scooter with one
wheel missing and a white doll without a head. Pipes and lumber sat in the
midst of this in preparation for a job never engaged.
"Is
someone else around," Maxwell said. "Someone I could talk to about --
Linda?"
The old
man's hazy stare crystalized. Maxwell had never seen hate in a stare before,
but saw it now.
"What
do you want with our Linda?" the old man asked, as he reached over to the
screen door and began to bang it against its frame, a rat tat tat the echoed
throughout the house. It drew thudding feet.
"I
don't want anything with her," Maxwell said. "I just wanted to let
you know where she is."
Three
large black men charged out of the door, halting sharply when they saw Maxwell.
"He's
come about our Linda," the old man told them.
The
three large men bristled, their gazes narrowing as they focused their attention
on Maxwell.
"You
got balls coming here?" one of them said. "Go find some white whore
if you need it that bad. Leave us and our family alone."
"I'm
not looking for any whore," Maxwell said. "I'm Jack's roommate and I
came because your sister is in trouble."
"Trouble
because of your friend," one of the other brothers said, smaller than the
other two, with a set of thick-lensed glasses that bloated his angry eyes.
"Get out of here."
"It
isn't my friend that's whoring her around," Maxwell said.
"You've
seen her?" one of the larger brothers said.
"Yes."
"And
she's bad off?"
"If
you don't get down there and get her, she's going to be."
"Down
where?" the third brother asked.
"Hutch's
place," Maxwell said. "He's taken her on as his personal whore."
The
largest of the three snorted, a low growl rising from deep down in his throat.
"That honky?"
"That's
right."
"Where
did you say she was?"
Maxwell
gave them directions, then headed back downtown. He had another appointment to
keep.
***********
Maxwell
waited in the shadows as the cars pulled in, one after another. Police officers
were changing shift. He had asked the desk sergeant about which shift Wilson
worked, and expected the fat cop's car to pull in any moment. This was the
night shift. Paterson had only eight cars to cover a city of six square miles
and a half a million population.
As was
to be expected, Wilson pulled in last, and eased his pudgy body out of the car.
He glanced around, his lower lip trembling, his tiny eyes shifting uneasily.
The other cops seemed to avoid him, stepping out of his way as he climbed the
stairs towards the glass doors to the station.
"Wilson!"
Maxwell called, stepping out of the shadow near the bottom of the stairs.
The
pudgy cop turned, hand falling to his side, automatically flipping open his
holster. His gaze widened in recognition of Maxwell.
"What
the hell are you doing here?"
"You
know. Where is she, Wilson?" Maxwell said, bounding up the stairs so as to
reach the landing just above where Wilson stopped.
"Get
out of my way," Wilson said.
"Not
until you tell me what you've done with her. I'm finished fooling around with
you. If you don't tell me, I'll break you in pieces."
Wilson's
hand moved for his pistol, but Maxwell beat him to it, jerking the weapon out.
It clattered down the stairs and stopped at the feet of another cop, who looked
down, then looked away. This wasn't his concern.
"I'm
not bluffing," Maxwell told Wilson. "I can hurt you bad, a little at
a time. Is the girl worth that much to you?"
Beads
of sweat bubbled up onto Wilson's brow. His tiny eyes stared straight into
Maxwell's.
"I
should have killed you when you were a kid," the cop hissed, "before
you got so high and mighty."
"I'm
not being high and mighty. I just don't like people like you hurting people
like Suzanne."
"Whose
hurting her? She's just a rag. I'm doing her a favor fucking her. I'm keeping
her alive."
Maxwell
hit the cop across the mouth, before he could stop himself, drawing blood from
Wilson's lower lip.
"That's
right, Zarra," Wilson shouted. "I fucked her, and I'll fuck her again
when I'm off duty, and I'll keep on fucking her until she dies of
exhaustion."
The
next blow, Maxwell intended, striking the fat man right in the fattest part of
his body, keeping his fingers stiff so they plunged deeply into his fat flesh.
The cop lost breath, but Maxwell pushed his fingers deeper to keep him from
getting it again. The fat face went red, then gray.
"Where
is she, Wilson?" Maxwell whispered.
Other
cops gathered at the bottom of the steps. But none made a move to rescue their
co-worker, they just watched.
The fat
cop began to crumble, easing down to his knees, unable to do anything else.
"Are
you going to tell me?" Maxwell asked.
Wilson
gave a short nod. Maxwell eased his fingers out, just enough to allow Wilson a
short breath.
"She's
down by the bridge," he wheezed.
"Which
bridge?"
"West
Broadway."
"In
a house?"
Wilson
shook his head. "In a shack," Wilson said, taking a deeper breath as
Maxwell eased his fingers out of the fat man's stomach. "It's where Toad
lived."
Maxwell
turned, bounding back down the stairs. "She'd better be there," he
said, "or I'll be back."
"Zarra!"
the fat cop croaked. "This isn't the end of things."
**********
The
brown water swirled here, still frothy and violent from its decent over the
falls. Old car tires littered the far short, cast up against the crumpled
cyclone fence and concrete by a freak element in the current. Even in daylight,
this place seemed dim where the walls of the former mill runways overshadowed
the water -- straight sides running down from the hydro plant. Near the bridge,
slicing straight down from the road, a dirt path descended at a break in the
wall, so slanted Maxwell struggled to keep from sliding down. His sneakers
kicked up gravel and send the small stones plopping into the water below.
Beneath
the arch of the bridge, a hobo village sat, a few dozen shacks protected from
the harsher elements from above, but not from the raging winds flowing along
with the water. Most were made of old wood found on the street -- pieces of
furniture, packing crates, scrap lumber, cobbled together into dubious jigsaw
puzzles that might collapse at any moment.
Piece
useless for building, they burned, as they did trash and tires, the stench and
smoke of which added to the dark, despite the roaring flames out of which trash
can. Under the overwhelming odor of burning rubber, Maxwell caught the scent of
cooking coffee and sizzling meat -- pondering what foul creatures these people
hunted down. A brown-faced, gray-haired man glared at Maxwell as he made his
way along the cobble stone undersurface into the village.
"I'm
looking for Suzanne," Maxwell said.
At
first, the man said nothing, his brown wrinkled face lit from below by the glow
of the fire. Then, he asked: "You a cop?"
"No,"
Maxwell said.
The man
shrugged and titled his head towards the row of shacks.
"She's
in the last one," he said. "But she ain't in any mood to see
visitors."
Maxwell,
who had taken a step in that direction, stopped. "Is she hurt?"
"No
so you can see from the outside," the man mumbled. "She ain't heard
from Toad in a while."
"He's
dead," Maxwell said.
"You
know that for a fact?"
"Hutch
told me."
"That's
cruel," brown man said. "Toad never hurt nobody."
"He
hurt Suzanne."
"Hurt
nothing, he loved her."
"But
he pimped her to the police."
"And
she let him, out of love," the man said. "You ain't down here. So you
don't know what it's like -- especially for a girl like that. Someone's always
going to hump here, whether she wants it or not. The best she can do is get
herself a situation, and have someone around like Toad to make sure she
survives."
"And
you're saying Toad did that?"
"And
more. He treated her like a lady and made sure nobody hurt her -- ever."
"Wilson
hurt her."
"Not
where it counts. Not on the inside."
"Hutch
did."
"Only
by offing Toad. She ain't going to get over losing him. I hate to be the one
who has to tell her."
"Does
she need to know?"
"It's
that or have her think Toad's dumped her."
"So
why don't you tell her?"
"Me?
She should get it from the source."
"But
you came looking for her. So maybe you care, eh?"
Maxwell
sagged. "Yeah," he said. "I care. So much I stole her from Toad
and got Toad killed. How am I going to tell her that?"
The
brown man stayed silent, slowly stirring the coals of the fire, his metal rod
clanking against the inside of the can. Around them, the air swirled with
smoke. Sparks stabbed at Maxwell's face as he turned towards the line of shacks
and slowly made his way to the one in which Suzanne waited.
He had
to push aside a blanket to get in, and hold it open so as to cast light inside.
At first, he saw no one, just bundles on the floor like those that had
decorated the police station steps. Then, he saw one of the bundles move.
"Nathaniel?"
Suzanne asked, her pale face showing itself from among the rags.
"No,
not Nathaniel," Maxwell said. "It's only me."
She
lowered her head again, emitting a disappointed, "Oh."
"Suzanne,"
Maxwell said easing himself towards her, the blanket falling back into place
behind him, casting them both into an even deeper haze. "How would you
like to come live with me?"
She did
not answer. She only let out a breath in what must have served her as a sigh.
"Did
you hear me, Suzanne?"
"I
hear."
"Do
you want to?"
"No."
"Why
not?"
"I
live here now. Not in now store."
"You
wouldn't have to live in a store. You could live in my apartment with a room of
your own."
"Where
would Nathaniel stay?"
"Nathaniel
doesn't need a room," Maxwell said, his voice barely a whisper. "He
doesn't need anything or anybody because he's..."
"Go
away!"
"I
can help you. I can make it all up to you."
"GO
AWAY!"
"But
I still love you, Suzanne."
The
declaration opened her eyes wide, but made them hard as well, as if the words
had stirred up that part of herself which she had forgotten, bringing back, not
just hints of memories, but a flood of pain.
"I
don't love you!" she said. "I hate you. Go away."
She
sank back into her gray bundles. Maxwell stayed for a moment, then finally
eased back out into the open air, only then aware of how sweat-soaked he'd
become. He was exhausted. He wanted coffee, but needed something else less
easily acquired. He kept thinking about history, how it always seemed to repeat
itself in some perverted way. He thought of Suzanne's history with the men in
New York and he thought of Patty in Paterson -- a captive of a possessive Puck.
Rage
roared to life inside him.
His
hands shook as he waved good-bye to the brown-faced man, to his oil drum fire,
to this little city under the bridge.
Maxwell
was so angry, he muttered to himself the whole way up the muddy path to the
street, cursing and crying, wiping the wet from his cheeks. He yelled when he
got to the top, at no one, at everyone, listening to the echo of his voice
strike the sides of the speed well, ricocheting off the walls until it reached
the canyon of the falls itself, where the roar of water erased it.
"I'm
going to kill you, Puck!" he shouted.
And he
meant it. And he meant to go get Patty back, and keep her from the same as
Suzanne's.
And he
would have, too, except that at that moment a cop car pulled up to the curb and
two very muscular officers jumped out either side, both brandishing riot clubs
and wearing expressions so grim Maxwell needed not clues to guess why they had
come.
"Zarra?"
one of them asked.
Maxwell
nodded, the fight evaporating out of him.
"The
mayor wants to see you," the other cop said.
***********
They
escorted him through the station the way they had the first time, the hand
cuffs cutting his wrists.
"Why
do we need the handcuffs if the mayor only wants to talk?" Maxwell asked.
"As
a precaution," the grim cop told him.
But the
route the cops took did not lead up to the mayor's office, instead down to the
cells in the basement of the building.
The
steps were wider than those in the old station, and the walls made of a
smoother concrete. But the smell was the same, that of trapped bodies. And the
sound was the same, the moaning, groaning and cursing of men waiting to be
moved to more secure quarters in the county jail.
Downstairs
was better lighted the previous jail, with cameras in the corners documenting
the movements of everyone -- a significant relief to prisoners who remember the
numerous injuries recorded in the former, darker halls. Reports indicated
repeated accidents on their way to and from their cells.
On
either side, faces pressed against the bars to get a glimpse of Maxwell, gray
colored faces with the same mocking eyes that Maxwell remembered from his first
trip, many hooting at him, some demanding that the cops deliver him to their
hands.
Somewhere
deep in the back of Maxwell's head, he heard his young self pleading for
Charlie to come rescue him.
"In
here," the cop said, holding open one of the cell doors. The space beyond
it was not empty. But the prisoner it contained did not come to the bars the
way the others had. To Maxwell's relieve the cop unlocked his cuffs, before
shutting and locking the gate behind him.
"When
do I see the mayor?" Maxwell asked.
"When
the mayor's ready to see you," the cop replied, then retreated back the
way he'd come, the clatter of his footsteps echoing for a little while.
Behind
Maxwell, curled into one of the bunks, the other inmate whimpered. Maxwell
squinted to make out the pudgy shape.
"Jack?"
The
whimpering figure struggled to turn away from the wall. His face had acquired
numerous purple welts, with the spaces around his eyes swollen. From the
rasping sound of his breathing, Jack apparently suffered injuries to his lungs
and other body parts.
"Funny
-- meeting -- you here," Jack said, trying to be glib.
"What
the hell happened to you?"
"I...
went looking for Linda."
"Hutch
has her."
"I
-- know."
"He
did this to you?"
Jack
shook his head.
"Her
brothers?" Maxwell asked again.
Another
shake. "The -- Boss. At least -- that's who they -- said they were --
working for."
"Because
of the money you owe?"
"Because
-- of you."
"Me?"
"I'm
-- supposed to serve -- as a -- warning."
"Warning
about what?"
"Trying
to -- get the -- Boss' woman back."
"Then
you know about the deal?"
"I
-- was on my way -- to talk -- to Hutch, when -- these other thugs -- got
me."
"There's
no point talking to him, he'd only beat you up for trying."
"But
-- I have to try -- and get -- her away."
"You
won't. But her brothers might."
"What
-- do you mean?"
Maxwell
told Jack what he had done. Jack closed his eyes and smiled a little. "I
-- wish I could be -- there," he said.
"So
how did you wind up here?" Maxwell asked.
"The
cops -- picked me up -- looking for you," Jack mumbled. "But -- I
need rest."
He
closed his eyes, and seemed to drift off, his breathing growing more regular as
he did.
Maxwell
-- although weary -- could not rest, pacing the cell for a few minutes before
calling out for a cop. This raised a ruckus among the other cells, and
eventually a guard appeared.
"What
do you want?"
"My
friend needs a doctor."
"So?"
"He's
hurt. He could die."
"Tough
luck."
"People
might think you did it."
The cop
-- who had started back the way he had come -- halted abruptly. "You some
kind of jail house shyster?"
"I'm
just pointing out the obvious," Maxwell said.
"And
you think you'll get out to tell anyone if he dies?"
"I'll
get out," Maxwell said, his tone so flat the tall cop blinked.
The cop
said nothing for a long time, then finally nodded. "I'll get the
doc," he said and left.
But no
doctor came. Instead the guard returned, banding on the bars with a night stick
to make Maxwell stand back -- as other, grumbling guard rushed in bearing a
stretch, each glaring at Maxwell as if promising him retribution later. Then
all vanished again, taking with them the still sleeping Jack.
Maxwell
sat on the bunk Jack just abandoned. The thin mattress still shimmered with
Jack's bleeding. He did not lie down, but prompted himself against the wall and
dozed. He jerked awake, startled out of a dream of his previous stay at the
county jail -- a small voice screaming at him not to fall asleep. Glancing
around at the empty cell, Maxwell sighed over his own foolishness. He remembered
waiting for so long for Charlie to rescue him, he didn't believe it when the
man actually appeared -- dressed in his Army greens, his brows wrinkled with
misunderstanding as they drove away.
"I
don't understand how you got into jail in the first place," Charlie had
asked. "The police tell me you were very uncooperative. They said you
refused to tell them the details concerning a crime."
"I
couldn't," Maxwell told his uncle.
"Why
not?"
"I
promised I wouldn't."
"Did
you help him with the crime?"
"No."
"But
you're helping him now."
"I
can't help that."
"Give
me one good reason why you're protecting that punk?"
"I'm
not sure I have a good reason."
Charlie
did not press Maxwell for the answer before leaving again for overseas, and
Maxwell remembered standing at the curb as the man climbed onto the bus that
took him to Newark and eventual death in Vietnam, remembered how he had wanted
to shout out the truth to him, to tell him everything, but resisted, promising
himself to tell Charlie when the man returned from the war.
The
jangle of keys started Maxwell out of another doze. Footsteps echoed down the
corridor amid hoots from the other cells, and sharp rebukes from guards telling
the prisons to shut their mouths. But it was not the guards Maxwell saw first,
but instead a flood of gray suits, the most prominent figure was the shortest,
and the man Maxwell recognized as the mayor.
"Open
this damn door!" Frank X. Graves, Jr. snapped at one of the guards.
"You think I've got all day?"
The
guard fumbled with the keys, somehow managing to get the key in the lock the
wrong way, struggling to get it out again, as the mayor fumed. When the lock
finally snapped open, one of the other guards grabbed the mayor's arm, halting
him.
"This
one's dangerous, Mayor," the cop said.
"Dangerous?
With all of you here?" the mayor scoffed.
"He
could kill you before we could stop him," the cop said.
"Nonsense.
He has no reason to hurt me," the mayor growled, yanking open the door.
Still, as he stepped in, he slid to one side away from the bunk, as if
expecting a sudden attack. Behind him, yet another guard rushed in with a
chair, placing it behind the mayor. The gray-haired man sat. He had a broad
face, thick with lines, looking more like a dock worker than a politicians, his
knuckles heavy with scars from a time when running for office meant physical
combat. The mayor's grey eyes squinted to make out Maxwell still pressed
against the wall.
"You
don't look like a criminal," Graves said.
"What
does a criminal look like mayor?"
"A
good point," Graves admitted. "Still, I've had some dark reports
about your behavior."
"Such
as?"
"Acquisition
of narcotics, flight from justice, kidnapping, assault on a police officer,
possible involvement in prostitution," Graves said, his voice remarkably
soft.
"That's
an impressive list," Maxwell asked. "Are you sure I haven't killed
anybody?"
"Do
not make light of this," Graves said, his voice suddenly sharp.
"These charges can put you away for a long time."
"Provided
you can prove them," Maxwell said. "What do you want from me?"
Graves
suddenly exploded with a laugh. "You're no fool, Zarra," he said.
"I can understand a little why Puck is so concerned about you. You're
smarter than he is, and perhaps even as tough. But you have something else he
doesn't have."
"Which
is?"
"A
conscience."
"Is
that a bad thing?"
"It
is to him. He can't trust people who have any kind of moral code. To him,
you're kind is unpredictable."
"Do
you feel the same way?" Maxwell asked, easing out towards the edge of the
bunk, aware of the rustle in the ranks of officers just beyond the bars.
Several had pistols out, although not aimed at him.
"Of
course not," Graves said. "I have a conscience, too -- although I'll
admit, it's not as pure as yours seems to be. But if push comes to shove, I
stand on your side of the equation, not Puck's."
"Puck
doesn't seem to see a difference," Maxwell said. "He thinks you're
just like he is."
"When
dealing with snakes, it helps to think like a snake."
"Sometimes
that leads to becoming a snake," Maxwell noted.
"Admittedly,"
Graves said. "There are people who see me as badly as Puck."
"You
certainly haven't done much to dismantle Puck's machine."
"That's
not precisely true," Graves aid. "What I've done may not seem
obvious, but I have worked for years to destroy Puck and what he's created here
in Paterson. But you don't knock down a fortress over night, or by banging your
head against the front door. You chisel at its foundations, working slowly and
in secret until you're certain it will fall when you finally push against it. I
hate Puck and I spend every minute of every day trying to rid this city of him.
Paterson is a good place, despite its obvious flaws, and it can be a better
place once we're rid of people like Puck."
"So
what does all this have to do with me?"
"Ah,"
Graves said, casting a glance towards one of the other gray-suited men.
"You and your friend are key to bringing Puck's empire down. He hates and
fears you so much he's neglected everything else. His personal Rome burns while
he fumes over you."
"He's
a fool then," Maxwell said. "I'm no danger to him. I don't want
anything expect for people to leave me alone."
"He
doesn't see things that way," Graves said. "Puck sees you as his
replacement, bent on stealing from him everything he has -- just as you have
already stolen the heart of his girl."
"Patty
isn't his girl or mine," Maxwell said, "and I certainly haven't
stolen her. If Hutch can be believed, Puck has her this very minute."
"Puck
has part of her," Grave said. "But she hasn't accepted her fate
graciously. My people tell me Puck has her heavily drugged to do what he
wishes."
"And
what exactly is that?" Maxwell said, a sharp note of alarm rising to his
voice.
"Maybe
you should see for yourself."
"That's
hardly possible with me locked up in here."
Graves
nodded and turned towards the nearest guard. "Release this man."
"But
he's..."
"I
said release him."
The guard grumbled, nodded and
motioned at someone else. Graves turned back to Maxwell.
"You'll
find the girl at Puck's club," he said. "But you'd better hurry if
you intend to catch up with her. We're planning the raid the place."
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