King 1
Frank
“Piggy Wilson huffed hard as he charged up Spruce Street in the direction of
the Great Falls, chasing after the two suspects that had fled the Market Street
strip club.
Even at
the peak of his career forty years earlier, Wilson could not have caught up
with the younger men, but at age 62, and many dozens of pounds over the
recommended weight for the force, he lost ground with each frustrated step.
He
could hear their footsteps echoing ahead of him like rifle shots against the
tall brick walls of the old mills to either side, their voices like wails of
ghosts, both locked into a haunting embrace few people understood, least of all
Wilson.
Reports
of shooting at the bar had brought several units to the scene, but only Wilson
had caught sight of the two men slipping out the back door and down a narrow
alley, managing to skirt the ring of police closing in on the club.
Just
where or how Wilson lost his radio, he could not recall. Responding to so many
calls in such a short stretch of time, he might have dropped it in any of a
dozen places or had it fall down a storm water drain as he ran.
The
city had rarely seen so much sustained violence during a single twenty-four
hour period. Even the race riots of the 1960s, which left such deep scars on
cities like Newark, had largely passed over the City of Paterson, as if the
dark angle of vengeance could not bother to strike out against a place that had
fallen so low, taking rude pity on the once great industrial city of America.
But on
May 16, 1987, as Wilson huffed and puffed and pretended he could when he
couldn’t climb the hill, all that changed, as violence exploded in dozens of
streets, all at once – and Mayor Frank X. Graves Jr., sometimes called “The
Little Dictator,” ordered on a series of raids that closed taverns, strip clubs
and notorious drug dens in an effort to put to an end the reign of what local
newspapers called “The King of Paterson.”
Yet if
Wilson’s guess was right about the figures he pursued, the man Graves wanted
most had slipped out of the net designed to catch him, as the King had done
hundreds of previous times during his long criminal career, racing towards the
very place he had performed his most daring escape twenty years earlier.
Wilson’s
grip slipped on the butt of his pistol, his fat fingers shaking so much he
could barely keep the forefinger pressed against the trigger. In the few
unbroken first floor windows of the mill, he saw his own ghostly shape hobbling
past, pudgy face painted with sweat and terror.
He
dared not admit the depth of his desire to kill both men he pursued, though he
knew he would likely get one chance, suspecting he could not live up to it.
One or
the other, perhaps both, might escape, and both had enough evidence to put
Wilson behind bars for decades passed his planned retirement – explaining why
he had not stopped at a public phone to call for backup.
"In
the confusion, I thought I could reach them first," he said. "Dead
men don't testify in court."
In the
dark, Paterson glittered with a sprinkling of lights, giving it an sense of
beauty it lacked during daylight hours, hiding the flaws of the so-called
historic district, although a good sniff of air hinted of the numerous fires
that had gutted the old mills -- from junkies seeking to keep warm as they
stewed their next fix over open flames.
Witnesses
seated at the tables inside the Falls View Grill reported seeing the three men
rushing passed their position, with a thin, panic and wounded man identified
later as Puck Fetterland in the lead.
None
made a move to stop Fetterland or the man -- later identified as Maxwell Zarra
-- chasing him. None called the department to report the fact that both men --
as well as the huffing and puffing Wilson carried pistols. During later
interviews, each person claimed to have heard Zarra shouting for Fetterland to
stop. The details of these memories varied depending on the level of
intoxication at the time.
All
witnesses agreed that the three figures were equally spaced, and just far
enough apart from each other to make it impossible to shoot each other --
although Fetterland apparently attempted several shots as he ran, misaimed
desperate shots that ballistics later discovered hit brick walls far from their
intended targets.
Zarra's
pistol, ballistics later determined, fired only once, and not during that
stretch of pursuit. Although the bullet was never recovered, we believe it hit
Fetterland later and was the cause of Fetterland's eventual death. Although
Fetterland's body also remained unrecovered.
A
patrol car rushing late from the Totowa section of town ground to a halt near
the double bridges that marked the crossing of the upper river. The report
later claimed the officers saw Fetterland as he jumped in front of their
headlights and vanished into the upper park near the gap for the falls. They
were just existing their car to pursue when Zarra appeared. They ordered him to
halt. He did not. The officer pursued.
In the
upper park, their report said, Fetterland screamed for Zarra to leave him
alone.
"Why
don't you go back to her and let me be!" he shouted as he mounted one of
the two narrow bridges that crossed over the falls' chasm. The footbridge used
by tourists was closed by order of Graves, with a gate and a lock impossible to
open quickly. Fetterland took to the other, unguarded bridge, one meant to
carry a water viaduct, not people, so lacked the cage like fence that kept pedestrians
from access to the gorge itself.
"You're
a son of a bitch!" the officers claimed Zarra shouted before leveling his
pistol and squeezing off a single shot.
Fetterland's
thin figure staggered and twirled.
"He
looked like a leaf caught in a fast moving flow of water," Wilson said
later. He had just caught up, but was too winded to reach Fetterland or stop
the inevitable fall off the bridge -- even had he wanted to. He had just enough
energy to lift his own pistol and aimed it for Zarra's head.
The
shot hit below where Wilson aimed, the bullet striking Zarra in the middle of
the back. Wilson might have shot again, but one of the other pursuing officers,
knocked his pistol down -- later reporting that he saw no reason to kill the
disabled Zarra.
"At
that point," Wilson said later, "I knew it was all over."
In the
hours that followed, attention previous focused elsewhere in the city, centered
around the falls, as the mayor committed more resources to the search for the
body. A EMT team arrived to haul Zarra off to the Medical Center. But he did
not die -- unlike numerous other people involved in the citywide conflict,
including his roommate. That body was found behind a strip club on market street,
two bullets lodged in his brain.
The
newspapers had a field day in the following morning's edition:
Poet
blasts crime king.
In what
appears to have been a romantic triangle gone sour, a local songwriter and poet
shot the head of the Paterson crime syndicate dead in a dramatic gun battle at
the brink of the Great Falls. Witnesses said the poet, Maxwell Zarra, shot once
striking Puck "the boss" Fetterland once in the chest, sending him tottering
over the chasm of the falls to his death.
Mayor
Frank X. Graves Jr. said the city is currently searching for the body, although
with higher than usual water levels, he believes the body will not be
recovered. Police investigators, however, found enough blood and hair on the
jagged rocks below to predict death -- even if the gun shot had not killed him.
"No
one could have survived that fall," Graves said. "We believe the body
struck three different places. If so, the bones would have shattered to such a
point that shock would have killed him. He certainly wouldn't have been able to
swim when he reached the water."
Fetterland,
sources claim, was -- until recently -- the undisputed crime boss of Paterson,
operating drug dens, houses of prostitution and gambling facilities throughout
the city. Although under the scrutiny of the Mayor's Task Force on Crime over
the last few months, Fetterland's operations apparently went unchallenged for
over a decade.
Details
behind the conflict that resulted in Fetterland's death remain sketchy,
although several police sources claim it resulted from an dispute over a strip
club dancer. Zarra, a full time cook at a local eatery and a hopeful country
music musician, apparently incurred the crime boss' wrath when seeking the
woman's attention.
The
dancer's name has not been released, but a spokesperson for the Passaic County Prosecutor’s
office said the case against Zarra would be brought before a grand jury. It is
expected to result in charges of murder against Zarra.
"Does
this mean I'm going back to jail?" Zarra asked during the initial
interview at the hospital. At 37, he looked 23, with only a few wrinkles around
the edges of his mouth testifying to the sometimes difficult life he led.
"Not
necessarily," I said. "But I suspect you will have to go to
trial."
Zarra
glanced towards the window which looked down on Main Avenue, Paterson, the
glitter of morning traffic almost beautiful from a distance, although even
through the thick glass the sound of car horns testified to the impatience of
drivers seeking to get downtown. But he seemed to stare beyond the mundane
scene towards the hunk of stone that hung over that side of the city -- at the
gap of low mountain that marked where the Passaic River made its northerly
point before turning south again for its eventual trip to Newark Bay.
"You
want to tell me about it?" I asked.
"You
mean confess?"
"Well,
what you tell me could be used against you," I said. "But it might
help you as well."
"Do
I have a lawyer yet?"
"Do
you want a lawyer?"
"I
suppose it would be helpful. We do have the death penalty in this state."
I put
my clipboard down and stared into the man's face. He looked ragged, his blonde
hair limp and his chin thick with several days of stubble.
"I'm
just trying to get the facts straight," I said. "I'm not looking to
pin anything down on you. That's the prosecutor's job."
"But
you work in his office."
"Yes."
"And
what you find out will likely come out in court?"
"Yes,"
I said with a sigh.
"Then
maybe we should talk later when I have my lawyer here. I wouldn't want to say
anything stupid."
"Your
lawyer would likely tell you not to say anything," I told him. "That
would be wise in other circumstances."
Zarra
frowned. "What do you mean other circumstances?"
"I
mean we have three witnesses who saw you shoot Fetterland. That part is cut and
dry. Unless you can make a case for why you killed him, you'll get convicted on
some level."
"And
serve time in the county jail?"
"I'm
afraid this kind of conviction would not send you there," I said.
"You would serve time at the state facility in Rahway."
"That's
worse?"
"By
far."
Zarra
stared out the window again and stayed silent for so long I would have thought
him asleep except for the intensity of his stare.
"All
right," he said. "What do you want to know?"
I took
up the clipboard again.
"How
long did you know Fetterland?"
Zarra
laughed. "Know him? I'm not sure I ever did. But I met him when I was 15
or 16 years old."
The
surprise must have shown on my face, drawing another laugh.
"We're
old buddies, him and I," Zarra said. "I guess you might say we were
similar in a lot of ways."
"Similar,
how?"
"We
spent a lot of time on the street," he said. "I might have ended up
like him. But I had people to look out for me, he didn't."
"Who?"
Zarra
shrugged. "That's not important," he said. "I just did."
"You
almost sound like you feel sorry for Fetterland."
This
time Zarra emitted more of a snort than a laugh. "Maybe, or maybe I just
came to understand things about him that made him the way he is."
"Even
so, you shot him in the end."
Zarra
glared at me. "I never said that. Maybe you should find someone else to
talk to about it. If I'm going to jail again, I won't want to be the one to
send myself there."
"You
went to jail?" I said, the startled sound in my voice obvious even to me.
"Don't
you people keep any records?" he asked.
"Of
course, we do. But I looked through your file, and found no criminal convictions."
"I
was 16. I'm not sure that would count. I eventually got probation."
"But
you said you served in jail?"
"I
spent less than a week in the county jail waiting for someone to post
bail," he said. "That was enough to teach me about not wanting to go
back. For any reason."
"You
want to tell me about that?"
"No."
"But
that might shed light on this case," I said.
"It
might also send me to the electric chair," Zarra growled. "Go do your
own digging, I don't have anything more to say. I'm sure you can find a trail
if you did deep enough."
"Look,
Mr. Zarra, you're just making it difficult for yourself..."
"Nurse!"
"Zarra."
"Nurse!"
A black
woman swept into the room, her white uniform as crisp as a rookie cop's.
"You
were asked not to upset our patient," she said. "I'm afraid I'm going
to have to ask you to leave."
I
clicked close my pen and nodded, then rose from the chair beside the bed.
"I'm
sorry, Mr. Zarra," I said. "I hoped I could get some answers from
you. After all, your case is most unusual."
Zarra
stared out at the landscape again, he remained fixedly silent, displaying a
streak of stubbornness other people would later testify to.
"Thanks
anyway," I said, and left the room.
Downstairs
in the waiting room, a pack of reporters descended on me, barraging me with
questions I could not answer. I waved them off. But I understood their
desperation.
Maxwell
Zarra was a mystery man, the poet who had taken the law into his own hands. It
was headline stuff, but without much in the way of background.
Zarra,
however, had supplied me with clues, and I immediately left the hospital to
central processing, where I hoped the county still maintained files on previous
investigations.
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